Moho (Anime Studio) Tutorials

In the second part of our series on shading, we examine how to apply secondary shadows to our character.

Recorded By: Jim Mills
Narrated By: Chad Troftgruben

part 1 | part 2 | part 3 | part 4 | part 5

In our final Anime Studio lesson on shading, we take a look at how to bind our shaded layers to the character. This will require traditional methods as well as the use of Smart Bones.

Recorded By: Jim Mills
Narrated By: Chad Troftgruben

part 1 | part 2 | part 3 | part 4 | part 5

Working with After Effects, Photoshop, and Illustrator, composite our character together with some scene assets and effects. We also add sound effects cuz their are sweet.

Part 1 + Project Files | Part 2 | Part 3

In part 3 on our series for shading, we add some highlights to the character's face to give the piece more volume. This includes adding highlights to the character's eyes as well. We do this with Anime Studio's Draw Shape and Add Point Tools.

Recorded By: Jim Mills
Narrated By: Chad Troftgruben


part 1 | part 2 | part 3 | part 4 | part 5

Working with Moho, we animate our character's walk cycle. My process is Illustrator to Moho to After Effects in this series.

Part 1 + Project Files | Part 2 | Part 4

Now that we have the face shaded, we can bring our focus to the character's torso. Continuing on with using the Add Point, Create Shape and Curvature tools in Anime Studio, we will create and shadows and shading for the character's body.

Recorded By: Jim Mills
Narrated By: Chad Troftgruben

part 1 | part 2 | part 3 | part 4 | part 5

While you can have Anime Studio automate the shading process, it's usually best to manually apply the effect so you can have greater control over it. This tutorial shows you how to create some basic cartoon shading effects using the Add Point and Create Shape Tools. This is part 1 of a mini series on shading and shadows.

Recorded By: Jim Mills
Narrated By: Chad Troftgruben

part 1| part 2 | part 3 | part 4 | part 5

Working with Photoshop and Illustrator, we take a character from sketch to a ready to rig Illustration. My process is Illustrator to Moho to After Effects in this series.

Part 2 | Part 3 | Part 4

Working with Illustrator and Moho, we prep our illustration with layering and rigging. My process is Illustrator to Moho to After Effects in this series.

Part 1 + Project Files | Part 2 | Part 3

In Part 1 of this three part series, we take a mug shot of a character and rig his eyes for blinking. Not only can this animation be used for many things down the road, but it will allow us to create a convincing head turn in Part 3.

Recorded By: Jim Mills
Narrated By: Chad Troftgruben

Part 1 | Part 2 | Part 3